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Eugene Delacroix Most Famous Paintings
Dawit Abeza
Eugene Delacroix Most Famous Paintings

Eugene Delacroix Most Famous Paintings

Who is Eugene Delacroix?

Ferdinand Eugene Victor Delacroix, also well-known as Eugene Delacroix, was a French artist who significantly swayed the romantic movement.

Known as the "master of color," Delacroix became a student of English architects in the romantic landscape and used their techniques to develop a unique approach to memory of color. The influence of historical and contemporary literature and events, combined with indigenous artistic methods, has created an explosive experience on canvas.

Delacroix's art improved the world of art persistently, and his skill had a long-lasting influence on the impressionist and post-impressionist activities. Today, Eugene Delacroix is known as one of the most important French romantic painters in the world, and his knowledge and humor are fully recognized and appreciated by contemporary art critics.

So without further ado, here are 10 of Eugène Delacroix's most famous paintings:  

  1. Liberty guides people through Eugène Delacroix
  2. Death of Sardanapalus by Eugène Delacroix
  3. The Chios Massacre by Eugène Delacroix
  4. The Barque of Dante by Eugène Delacroix
  5. Greece in the ruins of Missolonghi by Eugène Delacroix
  6. Sultan of Morocco by Eugène Delacroix
  7. The Battle of Nancy by Eugène Delacroix
  8. Jewish wedding in Morocco with Eugène Delacroix
  9. Orphan Girl at the Cemetery by Eugène Delacroix
  10. Mademoiselle Rose by Eugène Delacroix

Eugene Delacroix Artworks 

Liberty guides people through Eugène Delacroix

Liberty Leading the People by Eugène Delacroix

Liberty Leading the People, an oil painting (1830) by the French artist Eugène Delacroix about the July Revolution in Paris kidnapped by Charles X, the reformed Bourbon King. The exaggerated scene of the rebellion was initially mixed, but it was one of Delacroix's most popular paintings, a symbol of the July Revolution and a justified rebellion.

Delacroix began painting shortly after seeing the open war on the streets of Paris following protests against the prohibitory orders issued by Charles X on July 26, 1830. For three days, des Trois Glorieuses (27- July 29), private middle class. Road barriers and fought the royal army.

Unable to rebel, Carol X quickly withdrew. Louis-Philippe, the so-called citizen king, took the throne and created a constitutional monarchy. Historians are speculating that Delacroix's reliance on royal supplies prevented him from taking part in the rebellion. Still, he was happy to see the rebels raise the tricolor, the French flag, at Notre-Dame. The incident became the legendary starting point of the rebellion when a royal official said it was "no longer a riot; it is a revolution."  

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Death of Sardanapalus by Eugène Delacroix

Death of Sardanapalus by Eugène Delacroix

This work confirms Delacroix's desire to continue in the search for the noblemen and to give them some freedom. At first glance, the combination of color and decoration and the energy that comes from the painting can replicate the systematic and careful preparation embodied in the construction.

This brilliant work is so huge that Victor Hugo reflected it past the small minds - was a critical changing point in Delacroix's profession in his day.

The painting is also stunning because of the courage of the short perspective, the lighting effects, and the cool, bright colors that push the heart of the stage to the audience.

The painting has a diagonal - highlighted by the flames of fire and a complex aesthetic body - crossing from the bottom right to the top left, the colors changing gradually from dark red to pearl pink, during which flesh is creamy naked bodies and the king's raw king curtains are thicker.

Delacroix used well-distributed colors, contrasts of light, intermediate shade and tone, red and white edges, quick brushes, and a subtle drama of lively bold impasto in more than one way.

A clear and shiny glaze to glorify the softness of the flesh, the delight of the fabrics, and the brightness of the jewelry and treasures in the foreground. This technique, combined with rich and complex decoration, creates a strong sense of life, movement, and aesthetic unity.  

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The Chios Massacre by Eugène Delacroix

 The Chios Massacre by Eugène Delacroix 

The Chios massacre by Eugène Delacroix is a giant picture that shows the horror and destruction we visited on the island of Chios. An exhibition of pain, military powers, cute costumes, terror, and death in the scene of widespread despair.

There is no heroic figure who compensates for the killing and hopelessness of the victims, and there is no glimmer of hope about luck and desperation.

The painting depicts the reality of the massacre of Chios. It describes the killing of twenty thousand civilians and the forced labor of nearly every seventy thousand inhabitants who survived the Ottoman troops during the Greek War of Independence in 1822. The Ottoman soldiers ordered everything to be children.

Over three years, for all men aged 12 years. In the bright, sunny landscape that reveals a fantastic understanding of spatial values, deadly groups of people are reminiscent of those at Pest Hospital in Jaffa or Gros, and the Turkish official has already noted and closed. Gericault is a woman in Chasseurs, Garda. nd women aged 40 and over, except those who wish to convert.  

The lyricism of the colors is combined with the baroque plasticity of the shapes to make us forget how to limit the subject to a simple joke. Baudelaire wrote in Art Romantique: "Everything in this work is desolation, massacre, and fire, all of them testify to the eternal and irreparable barbarity of man, burnt cities, slaughtered victims, raped women, thrown horses., Mothers all this work sounds, like I said, like a scary hymn that composes to celebrate the evil and irreparable pain. "

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The Barque of Dante by Eugène Delacroix

The Barque of Dante by Eugène Delacroix

The painting is based on Infernos Canto VIII, the first volume of the 14th-century epic poem The Divine Comedy, written by the Italian poet Dante Alighieri. The poem is said to have captured Dante's journey through hell with his guide, the Roman poet Virgil. According to the poem, hell consists of nine concentric circles of suffering that are on earth. Each cycle is a sin and is the place where those who have committed this sin and do not respect it are appropriately punished.

Sinners in each circle are punished in a manner commensurate with their crimes. All sinners become unhappy for eternity because of the most important sin they have committed. The circles represent a gradual rise of evil that ends in the middle of the world where Satan is held captive.

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Greece in the ruins of Missolonghi by Eugène Delacroix

Greece on the Ruins of Missolonghi by Eugène Delacroix

This is the meaning of these ruins, in which we see Greece crossing, personified by a young woman whose tribe is based on warm light and whose expression reflects the discomfort and will to live. Because if Greece has a broken heart, it won't die, but it will reappear to win the War of Independence.

Misolonghi was besieged in succession in 1822 and 1823. During this second siege, Byron died on April 9, 1824. However, only four thousand men lived in the city, the Turkish army thirty-five miles, which was also supported by the Navy. The latter was indicted on April 22, 1826, for their wives and children, and the Turks invaded the city.

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Sultan of Morocco by Eugène Delacroix

The Sultan of Morocco by Eugène Delacroix

The Sultan of Morocco and his entourage strained to continue the Comte de Mornay's ambassadorial mission, his prosperous conference with the Sultan. Delacroix has even declined the option to report an adverse event.

Instead, he focused on creating a spectacular outdoor scene with bright light, vibrant colors, and monumental main characters. As an example of the orientation vein, it also shows the full richness of its training technique.  

Introduce the crusaders in Constantinople by Eugène Delacroix.

The entry of the Crusaders into Constantinople is an episode of the Fourth Crusade (1202-4), in which Pope Innocent III was inspired. Contrary to their original goal - the reunification of the holy places occupied by Muslims since 1187 - the Christians, led by Count Baldwin of Flanders and Venice, led Dandolo of Constantinople at the request of Emperor Isaac II Angelos, who was reunited in July 1203 brought the power.

An uprising forced him to siege the city for the second time, and he was released on April 12, 1204. The dissolution of the area separated him from the leaders of the crusaders. Valdin was at the height of an asymmetrical Latin empire that lasted until 1261.

As for the pillars and posts, Delacroix prefers to point out when tired warriors against lawyers and death stop, when violence subsides and order is restored. A problem with balance is composition, which is made up of groups in which the rhythm of the vertical lines creates rhythm. A clear proposal for Veronese's Marriage in Carta is reflected in the manor house architecture in the left column.

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The Battle of Nancy by Eugène Delacroix

The Battle of Nancy by Eugène Delacroix

The Battle of Nancy was the result of the artist's first official assignment in September 1828. The final decision was made after in-depth consultation with the King, the Home Secretary, the City Council, and his royal association. Nancy's sciences, arts, and letters.

The agreed episode was the death of Charles the Bold, Duke of Burgundy, who killed the Knight of Lorraine Claude de Bauzemont on January 5, 1477.

Delacroix immediately started his research and created incomplete sketches and preliminary studies of the entire work, as well as many details. The work in question remained in his studio during the artist's trip to Morocco and was only completed after his return. But it dates from 1831.

Even more than the romantic Delacroix pen for the Middle Ages, the most striking thing about this canvas is the simple excitement that explains the murderer of the fighting disorder. Under the sky of blinding flashes of light, we see an abandoned, snow-covered landscape that takes on a blue backdrop in an environment with an impressive kind of impressionist view.

Here is a fierce hand-to-hand battle, in which twisted forms and warm shadows of chestnuts and reds fuse in dynamic violence emerging from Peter Paul Rubens' battle scenes. The composition is dense, with an empty space in the middle. The main character of the play, Karl the Bold, disappears at the edge of the frame, and we can read the symbol that suddenly disappeared from the political scene.

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Jewish wedding in Morocco with Eugène Delacroix

Jewish wedding in Morocco with Eugène Delacroix

Delacroix bases his work on a Jewish wedding in Morocco with notes on his memories, the description of which is written in one of his notebooks in Morocco: "Jewish marriage, the Moors and Jews, at the entrance. Well done, on the other hand very shaded, slightly back, the haiku around his head partially transparent, white sleeves, back shadow The violinist is on his heels, and in Gelabia The guitar body on the player's neck, very dark near in the center, red cardigan with the brown shade, blue behind the neck, shirt sleeves turned upside down with two porcini mushrooms, green lining next to it, warty on the neck, short nose partly against the closer wall, a witch with many white to hide almost her shelters full of reflections, Women love pots.

In the picture, Delacroix nearly followed his notes in the letter and changed some details (the backstory column that would have destabilized the composition, as well as the child who followed the Jew who had the board, was removed); l "old"). Back in the foreground, the drum no longer plays, the musicians focus on their back, resulting in the accuracy of the scene, both overall and in detail.  

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Orphan Girl at the Cemetery by Eugène Delacroix

Orphan Girl at the Cemetery by Eugène Delacroix

Eugène Delacroix painted an orphan in the cemetery in 1824. The picture shows a young girl visiting a grave, probably in rural France. Her watery eyes look up at the sky. Does he doubt God's will? Does she want to know why her boyfriend was taken from her? His expression conveys not only grief but also emotional pain.

The melancholy atmosphere of the orphan girl in the cemetery is enhanced by the dimly illuminated background, the paleness of the horizon, and the neglected dark cemetery, all of which show despair. The girl's attitude implies she is quitting. His open mouth, his lifeless hand on his knees, and his body's right hand on the ground give the audience a sense of despair.

Eugene Delacroix's shadow technique is masterful, from the neck to the folds of her clothes. The background is a little dull and highlights the image of sadness at the top of the canvas. The beautiful color scheme chosen by Delacroix for this composition creates a look of loneliness and solitude.  

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Mademoiselle Rose by Eugène Delacroix 

Mademoiselle Rose by Eugène Delacroix

Although he has some of the features for which he is famous, his style was still in development at that point.

The painting is named after the woman who would have sat for it, Miss Rose, although it is sometimes known simply as a sedentary act. She has modeled several times for Delacroix as well as for other artists in her area. Although Delacroix painted in a romantic style, he was unique in his work, which aimed at the clarity and sincerity of sentimentality. The poet Charles Baudelaire describes him as "coldly determined to express passion as clearly as possible".

Delacroix has had a long and productive career and has received many government missions. Its violent content, intense passion, and stunning colors confuse and offend some modern critics, but arouse the respect of others. Staying around him was also his job. He has traveled all over Europe, but Morocco seems to convince him more than anywhere else he has visited.

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