Theodore Gericault Paintings (Famous Artworks)

Theodore Gericault Paintings (Famous Artworks)

Theodore Gericault was born to wealthy, conservative parents in Rouen, France, on July 26th, 1791. His father was a practicing lawyer, while his mother's family had a tobacco plantation.

His family moved to Paris when he was around 4 years old. There, he had the opportunity and privilege to enter prestigious schools.

These schools are where he first crafted and honed his skills in art. At the age of 15, he was already south after for his talent in drawing.

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This was also when he started to take the study of art seriously. Although it may seem his life was going swell, his mother died when he was only 17.

His grandmother followed four years later. The consecutive deaths on his mother's side led to him having a hefty inheritance that would suffice for him to continue to pursue art school afterward.

Gericault was able to train with the likes of Bouillon and Vernet. After which, he entered the art school, École des Beaux-Arts, wherein he was under the tutelage of Pierre-Narcisse Guérin.

Below you will find some of his famous works:

Charging Chasseur by Theodore Gericault

Charging Chasseur by Theodore Gericault

The Charging Chasseur is a large-sized portrait depicting an officer from French Imperial Guard moving away from the viewers. This portrait depicts the chaos of battle and a soldier's bravery and heroism.

The background of the painting suggests an ongoing battle scene depicting the soldiers retreating.

The French Imperial Guard is an actual person, Alexandre Dieudonne, a friend of Theodore Gericault. With his sword ready, he is shown to face backward as if checking if his allies are behind him.

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Male 'académie' Seated and Seen from Behind by Theodore Gericault

Male 'académie' Seated and Seen from Behind by Theodore Gericault

This piece is an early work by Théodore Géricault, painted while he was still training in the studio of the French Academy painter Pierre-Narcisse Guérin.

It shows off his ambition as a young artist, going for a piece that depicts a natural form of a man, a real triumph during those times. The nude male, viewed from behind, is contorted across the canvas.

You can see so much tension in the body. It increases from the feet upwards, showing GĂ©ricaul skill at an early age. The whole composition itself is rather dark, with little whites and yellows on the flesh of the nude male.

Cattle Market by Theodore Gericault

Cattle Market by Theodore Gericault

In GĂ©ricault's Cattle Market, the artist depicts a scene of a cattle market in an Italian country setting. The painting is small in size and depicts a moment in time from an otherwise unseen event.

The artist uses color and perspective to set up this scene so that it appears you could step into it and be part of it yourself. Depicted in the painting are three scantily dressed men wrestling with cattle.

It can be inferred that these cattle are wrestling for their lives which are awaiting their slaughter. On the right side of the painting, there is one man who was able to wrestle a cow to submission with the help of what seems to be a shepherd dog.

In relation to his last piece of a nude man, this piece shows his advanced skills in painting the human form in different poses to depict the physical struggle the body goes through.

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Evening by Theodore Gericault

Evening by Theodore Gericault

GĂ©ricault's Evening is a landscape painting of Italian scenery. What's remarkable about this painting is how it captures the eyes of the viewers and leads them from the back of the painting to the front.

At the top most of the painting is a rocky mountain with an almost perfectly square peak. Underneath is what seems to be a small Italian town with a bridge supported by arches over a small river.

On the left side of the painting is a facade of an old building with vines growing on it, and in the middle can be seen two persons lounging by the river.

This painting shows Théodore Géricault's skill in perspective. If the earlier painting were of anatomy, this shows a different skill in the arsenal of the young French painter.

The Raft of the Medusa by Theodore Gericault

The Raft of the Medusa by Theodore Gericault

One of his more famous paintings, The Raft of Medusa, is the opposite of what is usually depicted in his earlier paintings. This painting depicts a struggle of men afloat on a raft in the sea.

The men on the raft are a mix of some who are dead, some who are barely breathing, and some using all their energy to get the attention of a ship nearby.

You can feel the struggle of the men on the raft. Once again, it shows Théodore's skill in contorting the human body to depict the struggle and stress and his talent for creating a background that exudes tragedy or imminent death.

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Guillotined Heads by Theodore Gericault

Guillotined Heads by Theodore Gericault

Guillotined Heads presents Théodore's mastery of the Italian art style chiaroscuro or "light and dark. In this method of visual art, the artist uses both light and shade to depict the volume of the subjects.

This piece depicts two guillotined heads, one male and one female. The female head is white as snow with her eyes closed, depicting a more calm expression. While the male head is more struggling with his eyes and mouth open.

Both heads also show different stages of decay, with emphasis on the laceration on the neck from the guillotine.

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The Monomaniac of Gambling by Theodore Gericault

The Monomaniac of Gambling by Theodore Gericault

This painting is part of a series of portraits that Théodore painted before his demise. This series consisted of me and women who have become mentally ill due to their pursuant of their vices.

In The Monomaniac of Gambling, the elderly woman depicted exudes the struggle she has gone through in life. With her ill-fitting clothes and the crutch, she appears to be struggling to walk.

This subject has explicitly become mentally ill due to the adverse effects of gambling brought on her life. You can also see the hollows in her face, another note of Théodore's great skill in painting the human form regardless of what state in life.

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