Boulevard Montmartre Afternoon Sunlight by Camille Pissarro
Impressionist Camille Pissarro rented a room at the Grand Hotel de Russie in Paris one day in 1897 to get a good view of Montmartre Boulevard.
He began painting 'Boulevard Montmartre: Afternoon, Sunshine,' an oil on canvas that was supposed to be part of a thirteen-piece set. Camille Pissarro's goal was to capture the true essence of a bustling Parisian street.
The artist could have a "bird's-eye view" of the people, carriages, and circumstances unfolding in front of him from his elevated perch in the hostel.
Boulevard Montmartre's paintings characterized the scene at a different time of day, with a different air component, eliciting a variety of strong reactions.
Analysis Of Boulevard Montmartre Afternoon Sunlight
When viewed in the context of the other paintings in the collection, 'Boulevard Montmartre: Afternoon, Sunshine' is an epic depiction of life in Paris during working hours.
The quality of a work of art is one of action and reason. However, taken as a whole, the sight evokes a sense of despondency, owing to the city's massive engineering, which acts as a divider, enclosing the city's poor inhabitants.
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During his time in the hotel, Camille Pissarro also painted two paintings of the Boulevard des Italiens, which was on his right side, between February and April 1897.
According to the Hermitage Museum's assessment of 'Boulevard Montmartre: Afternoon Sunshine,' Pissarro "skillfully passed on the rich barometrical influences, mystifying colors, and ethereal emotion of a dismal day."
This depiction of fast-moving, dynamic urban life was so clearly depicted by the artist's rapid brushwork, which showcases a contemporary city - energetic and alive, not in a ceremonial or official atmosphere. Such urban scenes were a recurring theme in Pissarro's paintings.
Location of the Boulevard Montmartre Painting
Camille Pissarro's Boulevard Montmartre, Afternoon, Sunshine is on display at the State Hermitage Museum in St Petersburg, Russia.
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Camille Pissarro Boulevard Montmartre
Camille Pissarro's arrangement works of art of Paris are among Impressionism's unrivaled achievements. He worked on his Boulevard Montmartre arrangement for more than two months and held this painting in high regard, keeping in touch with his vendor Durand-Ruel.
This is what Pissarro said "During this year's show, I received a warm welcome from the Carnegie Institute: I chose to send them the artistic creation Boulevard Montmartre, matinée de Printemps...And told them please don't sell it."
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For an artist who had previously been known mostly as a painter of rural life rather than urban life, the Boulevard Montmartre arrangement was an example that established his position as one of the best painters in Paris.